No Exit is a 1944 existentialist French play by Jean-Paul Sartre. The original title is the French equivalent of the legal term in camera, referring to a private discussion behind closed doors. English translations have also been performed under the titles In Camera, No Way Out, Vicious Circle, Behind Closed Doors, and Dead End. The play was first performed at the Théâtre du Vieux-Colombier in May 1944.
The play is a depiction of the afterlife in
which three deceased characters are punished by being locked into a room
together for eternity. It is the source of Sartre's especially famous and often
misinterpreted quotation "L'enfer, c'est les autres" or "Hell is
other people", a reference to Sartre's ideas about the Look and the perpetual ontological
struggle of being caused to see oneself as an object in the world of another
consciousness.
Synopsis
Three damned souls, Joseph
Garcin, Inès Serrano, and Estelle Rigault, are brought to the same room in Hell
and locked inside by a mysterious valet. They had all expected torture devices
to punish them for eternity, but instead find an enclosed room. At first, none
of them will admit the reason for their damnation: Garcin says that he was
executed for being a pacifist, while Estelle insists that a mistake has been
made; Inès, however, is the only one to demand that they all stop lying to
themselves and confess to their moral crimes. She refuses to believe that they
have all ended up in the room by accident and soon realizes that they have been
placed together to make each other miserable; she deduces that they are to be
one another's torturers. Garcin suggests that they try to leave each other
alone and to be silent, but Inès starts to sing about an execution and Estelle
vainly wants to find a mirror to check on her appearance. Inès tries to seduce
Estelle by offering to be her "mirror" by telling her everything she
sees, but ends up frightening her instead. It is soon clear that Inès is
attracted to Estelle, Estelle is attracted to Garcin, and Garcin is in no mood
for sexual behavior.
After arguing, they decide to
confess to their crimes so they know what to expect from each other. Garcin
cheated on and mistreated his wife; Inès seduced her cousin's wife while living
with them; and Estelle had an affair and then killed the resulting child,
prompting the child's father to commit suicide. Despite their revelations, they
continue to get on each other's nerves. Garcin finally begins giving in to the
lascivious Estelle's escalating attempts to seduce him, which drives Inès
crazy. Garcin is constantly interrupted by his own thought, though, and begs
Estelle to tell him he is not a coward for attempting to flee his country
during wartime. While she complies, Inès tells him that Estelle is just
feigning attraction to him so that she can be with a man—any man. This causes
Garcin to abruptly attempt an escape. After trying to open the door repeatedly,
it inexplicably and suddenly opens, but he is unable to bring himself to leave,
and the others remain as well. He says that he will not be saved until he can
convince Inès to trust in him. She refuses, saying that he is obviously a
coward, and promising to make him miserable forever. Garcin concludes that
rather than torture devices or physical punishment, "hell is other
people." Inès tries to persevere in her seduction of Garcin, but he says
that he cannot make love while Inès is watching. Estelle, infuriated, picks up
a paper knife and repeatedly stabs Inès. As they are all already dead, this
attack does nothing and Inès even halfheartedly stabs herself, beginning to
laugh. As Estelle comments on the idea of their being trapped here forever and
laughs too, all three join in prolonged fit of laughter before Garcin finally
concludes, "Eh bien, continuons" (roughly "Eh well, let's
continue on...").
Characters
Joseph Garcin – cowardice and callousness caused his
young wife to die "of grief" after his execution He deserted his unit
in World War II, and he was unfaithful to his wife – he even brings his affairs
home and gets her to make them coffee in bed, without any sympathy. Initially,
he hates Inès because she understands his weakness, and wants Estelle because
he feels that if she treats him as a man he will become manly. However, by the
end of the play he understands that because Inès understands the meaning of
cowardice and wickedness, only absolution at her hands can redeem him (if
indeed redemption is possible).
Inès Serrano – Inès is the second character to enter
the room. A lesbian postal clerk, she turned a wife against her husband,
twisting the wife's perception of her spouse and the subsequent murder of the
man (who is Inès' cousin). Indeed, Inès seems to be the only character who
understands the power of opinion, manipulating Estelle's and Garcin's opinions
of themselves and of each other throughout the play. She is honest about the
evil deeds she, Garcin, and Estelle have done. She frankly acknowledges the
fact that she is a cruel person.
Estelle Rigault – Estelle is a high-society woman, a
blonde who married an older man for his money and had an affair with a younger
man. To her, the affair is merely an insignificant fling, but her lover becomes emotionally
attached to her and she bears him a child. She drowns the child by throwing it
into the lake, which drives her lover to commit suicide. Throughout the play
she tries to get at Garcin, seeking to define herself as a woman in relation to
a man. Her sins are deceit and murder (which also motivated a suicide). She
lusts over "manly men", which Garcin himself strives to be.
Valet – The Valet enters the room with each character,
but his only real dialogue is with Garcin. We learn little about him, except
that his uncle is the head valet, and that he does not have any eyelids, which
links to Garcin because Garcin's eyelids are atrophied.
Produced
by Dramatis Personae Opens January 2014
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